public void capitalism(prototype)

Solo Exhibition by Souya Handa

Dec. 16 - 25, 2023
No Closed Days During the Exhibition

Hours: 3 - 7pm (Sun. - Wed.), 3 - 8pm (Thu. - Sat.)
* On Dec. 16, Open 5 - 8 pm

Venue: Rinshoin Gallery Space
4-2-7, Yushima, Bunkyo-ku, Tokyo

Supported by Arts Council Tokyo (Tokyo Metropolitan Foundation for History and Culture)

public void capitalism(prototype)

Solo Exhibition by Souya Handa

Dec. 16 - 25, 2023
No Closed Days During the Exhibition

Hours: 3 - 7pm (Sun. - Wed.), 3 - 8pm (Thu. - Sat.)
* On Dec. 16, Open 5 - 8 pm

Venue: Rinshoin Gallery Space
4-2-7, Yushima, Bunkyo-ku, Tokyo

Supported by Arts Council Tokyo (Tokyo Metropolitan Foundation for History and Culture)

Souya Handa Projects is pleased to announce "public void capitalism(prototype)," a solo exhibition by Souya Handa at Rinshoin Gallery Space in Tokyo. Also serving as an independent curator, Handa, a contemporary artist based in Tokyo, explores the conflicts between technological developments and social ethics.

Drawing inspiration from computer programming, where "public" signifies accessibility and "void" implies a function with no return, Handa contends that art, akin to a public void, is open for all, intentionally unproductive.

Delving into the evolving landscape of capitalism amidst technological advances, Handa questions the transformative promises of blockchain and AIs. Does capitalism genuinely evolve, or does Marx's foundational structure persist? Through a nod to software development prototyping, Handa sparks inquiry into capitalism's trajectory.

The exhibition unfolds as a dynamic exploration, mirroring the trial-and-error evolution of capitalism. Handa crafts artworks on-site, akin to an open studio, unveiling imperfect prototypes. Amidst this, he showcases prior works, taking a stance against accelerationism.

Handa draws parallels between art and capitalism, AI and humans. His works exude cynicism not only toward capitalism but also toward art itself. However, he affirms, underscoring his belief in the transformative power of art. "Even though art is unproductive, it can instigate changes in people's lives, like a function in computer programming."

Images for Reference

Souya Handa, born in 1994 and grew up in Hiroshima, is an artist and independent curator who has curated numerous exhibitions in collaboration with commercial galleries and companies. His projects focus on exploring the relationship between technology and social ethics, as well as on issues surrounding Asian and Japanese identity. Additionally, he is an accomplished researcher in the field of 1980s Japanese video art. He holds a master's degree from the Tokyo University of the Arts, as well as a master's degree from the University of Tokyo.